Also known as Pennsylvania Station, the busiest rail station in the United States. The major Amtrak station on the
Northeast Corridor and the terminal for New Jersey Transit and the Long Island Rail Road.
Once the grandest gateway into New York City, since 1962 has been little more than
Madison Square Garden's basement, a mishmash of "modern" corridors, low ceilings, and endless rows of suburban chain stores. Its loss is comparable to — possibly even worse than — a similar "modernization" effort on London's late, great
Euston Station around the same time.
The original terminal, designed by Beaux-Arts architects
McKim, Mead and White and erected by the Pennsylvania Railroad in 1909, was a grand temple to rail travel which occupied four city blocks bounded by Seventh and Eighth Avenues and 30th and 33rd Streets. The Seventh Avenue facade was dominated by a collonade of granite pillars modelled after the
Brandenburg Gate in Berlin. The main waiting room, designed to echo the Baths of Caracalla in Rome, featured a giant barrel-vaulted ceiling as high and long as the nave of
Saint Peter's Basilica in the Vatican. And the main departure
concourse featured a dramatic glass train shed which brought ample sunlight down to the train platforms themselves. Richly detailed sculptures abounded, including twelve statues of giant eagles which once perched all along the
cornice of the station.
McKim, Mead and White had intended for their masterpiece to survive for 500 years; it barely lasted 53. With postwar rail travel on the decline, Penn Railroad merged with rival New York Central in the '60s to form
Penn Central, which immediately set out with plans to "improve" Penn Station and its
crosstown neighbor,
Grand Central Terminal. Entering into deals with the owner of Madison Square Garden, Irving Felt, it was decided that both groups could maximize profits if the Garden were moved from its 1925 building on 51st and Eighth to a new, "modern" structure right on top of Penn Station. The result: the most supernal rail terminal ever to be built in the United States was dismantled and carted off to
Secaucus, giving New Jersey the claim to having the world's most elegant dump. The banal replacement was "architect" Charles
Luckman's oil drum that was the new MSG, paired with an ugly slab office tower, with plenty of cramped, claustrophobic, artificially-lit space for scurrying suburban commuters downstairs.
There was a silver lining to the loss of Penn Station, however. The public outcry was immense: the New York Times called it a "monumental act of vandalism" and "the shame of New York." Architectural historian Vincent Scully lamented, "Through (Penn Station) one entered the city like a god. Now one
scuttles in like a rat." And Ada Louise Huxtable, the Times' architecture critic, warned, "We will probably be judged not by the monuments we build but by those we have destroyed."
The result of this outcry was the creation of the New York City Landmarks Commission, the first of its kind in any city in the U.S. Multiple buildings and districts in New York have been preserved since, particularly Grand Central Terminal, New York's last surviving grand gateway. Before it was declared a national landmark in 1978, it was very nearly razed in a similar venture by Penn Central — which went spectacularly bankrupt in 1970.
Karma's a bitch.